!["Directed Focus YouTube's Easy Ways for Smoother Borders"](https://www.lifewire.com/thmb/ialXQxlrWEBC8WWbKRy-2KuXaw0=/400x300/filters:no_upscale():max_bytes(150000):strip_icc()/001_how-to-share-play-ps5-b769f171ceea4710beb6433e0701aa13.jpg)
"Directed Focus YouTube's Easy Ways for Smoother Borders"
![](/images/site-logo.png)
Directed Focus: YouTube’s Easy Ways for Smoother Borders
How to Blur Background of Your YouTube Video
Richard Bennett
Mar 27, 2024• Proven solutions
A lot of YouTubers like to vlog in front of blurred backgrounds. Blurring the background of your YouTube video is a fast way to make it look more professional – you stand out when you are entirely in focus, and everything behind you is blurry. Plus, it is an easy way to disguise the room you are vlogging from.
Even if your set is clean, there could be things like books behind you, which will distract viewers; they will be trying to read the spines. Blurring out the background of your shot makes your video look polished and keeps people’s focus entirely on you.
- Part 1: Blur YouTube Video Background in Shooting Videos
- Part 2: Add Tilt-Shift Effects to Video in Editing
Part 1: How to Blur Background of Your YouTube Video in Shooting Videos
Blurring your background is also how you create a beautiful bokeh lighting effect. Bokeh is when you blur lights in the background of your shot, creating halo-like circles of light. By attaching a filter with a shape cut out to the camera lens, you can even generate bokeh lights in other shapes, like hearts or stars.
Aperture refers to the hole in your lens which allows light into your camera. A narrow aperture lets in less light, and a wide aperture lets in more. The wider your aperture is, the shallower your depth of field will be. Widening your aperture also helps your camera perform better in low-light situations. Widening your aperture too much under the wrong circumstances can let in too much light and result in your footage being overexposed.
Depth of Field is the area of your image that is in focus. If you have a large depth of field, then objects close to and far away from your camera will all be in focus. Only a select area will be focused and the rest will be blurred if you have a shallow depth of field.
F-Stops are the measurement of an aperture’s width. The higher your f-stop, the narrower your aperture will be. To create a blurred background or a bokeh effect, you need a wide aperture, and thus a small f-stop. F-stops are written like ‘f/1.4’. You need an f-stop of less than f/4 to blur your background, and less than f/2.8 for bokeh.
1. Blurring and Bokeh
Blurred backgrounds and bokeh are very closely related. A bokeh effect is essentially a blurred background that includes lights.
To achieve a blurred background or a bokeh effect, you need to have a shallow depth of field. That means a wide aperture and a low f-stop.
2. How to Blur your Background
Place your subject – in the case of a vlog, your subject is probably yourself – in a shallow depth of field, and they will remain sharply in focus while everything behind them is blurred.
If the subject is yourself, you might need a helper to either operate your camera or stand in for you while you set up your camera. You will need to be able to check that the place you plan to stand or sit is in focus.
To get a shallow depth of field, make sure your aperture is wide. Do this by setting a low f-stop. Ideally, your f-stop will be 2.8 or lower, but if your camera cannot go that low, then f/3 or f/4 can also work.
Creating a bokeh effect is mostly the same, except that it works best when your subject/depth of field is very close to the camera, and you have a light source off in the background. Zoom Lenses do not usually have wide enough apertures to create bokeh backgrounds.
Blur Video Background in Post-Production with Wondershare Filmora Video Editor
If you need to blur the video background after shooting, you can use some video editing software to add the bokeh effect or the tilt-off effect in post-production. Here, I will show you how to do that in Filmora.
Filmora is one of the most widely used video editing software among YouTubers. Its user-friendly interface and tutorial guide enables green-hands to start video editing quickly. Besides, you can find many free filters, effects, and elements pre-programmed, so you can use them directly without looking for presets and templates somewhere else.
1. Add Bokeh Filter to Video in Filmora
There are about 20 bokeh effects available in filters and overlays. You can find them easily by typing bokeh in the search bar in Effects.
Note: you should select Included to see all bokeh effects pre-programmed in Filmora. If you need more visual effects, just go to the Filmstock effects store.
Double click the bokeh effect to preview the result, and if you find the bokeh effect fits the video, just drop it to the track above the video. And the bokeh filter or overlay will be applied to the video automatically.
2. Use Tilt-Shift Circle/Linear Effect to Blur Video Background
Filmora features two tilt effects, tilt-shift circle and tilt-shift linear, which allows you to highlight people in the video, blur, and conceal the video background.
Go to the Effects tab and then switch to the Utility menu under Included category.
Here, I will select the Tilt-Shift Circle effect and drop it to the track above the video. Now, you can adjust the size, position, and intensity of the tilt-shift circle effect
You see, the video background is blurred, and the people are highlighted. Now it’s your turn to download the Filmora video editor and try it yourself.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Mar 27, 2024• Proven solutions
A lot of YouTubers like to vlog in front of blurred backgrounds. Blurring the background of your YouTube video is a fast way to make it look more professional – you stand out when you are entirely in focus, and everything behind you is blurry. Plus, it is an easy way to disguise the room you are vlogging from.
Even if your set is clean, there could be things like books behind you, which will distract viewers; they will be trying to read the spines. Blurring out the background of your shot makes your video look polished and keeps people’s focus entirely on you.
- Part 1: Blur YouTube Video Background in Shooting Videos
- Part 2: Add Tilt-Shift Effects to Video in Editing
Part 1: How to Blur Background of Your YouTube Video in Shooting Videos
Blurring your background is also how you create a beautiful bokeh lighting effect. Bokeh is when you blur lights in the background of your shot, creating halo-like circles of light. By attaching a filter with a shape cut out to the camera lens, you can even generate bokeh lights in other shapes, like hearts or stars.
Aperture refers to the hole in your lens which allows light into your camera. A narrow aperture lets in less light, and a wide aperture lets in more. The wider your aperture is, the shallower your depth of field will be. Widening your aperture also helps your camera perform better in low-light situations. Widening your aperture too much under the wrong circumstances can let in too much light and result in your footage being overexposed.
Depth of Field is the area of your image that is in focus. If you have a large depth of field, then objects close to and far away from your camera will all be in focus. Only a select area will be focused and the rest will be blurred if you have a shallow depth of field.
F-Stops are the measurement of an aperture’s width. The higher your f-stop, the narrower your aperture will be. To create a blurred background or a bokeh effect, you need a wide aperture, and thus a small f-stop. F-stops are written like ‘f/1.4’. You need an f-stop of less than f/4 to blur your background, and less than f/2.8 for bokeh.
1. Blurring and Bokeh
Blurred backgrounds and bokeh are very closely related. A bokeh effect is essentially a blurred background that includes lights.
To achieve a blurred background or a bokeh effect, you need to have a shallow depth of field. That means a wide aperture and a low f-stop.
2. How to Blur your Background
Place your subject – in the case of a vlog, your subject is probably yourself – in a shallow depth of field, and they will remain sharply in focus while everything behind them is blurred.
If the subject is yourself, you might need a helper to either operate your camera or stand in for you while you set up your camera. You will need to be able to check that the place you plan to stand or sit is in focus.
To get a shallow depth of field, make sure your aperture is wide. Do this by setting a low f-stop. Ideally, your f-stop will be 2.8 or lower, but if your camera cannot go that low, then f/3 or f/4 can also work.
Creating a bokeh effect is mostly the same, except that it works best when your subject/depth of field is very close to the camera, and you have a light source off in the background. Zoom Lenses do not usually have wide enough apertures to create bokeh backgrounds.
Blur Video Background in Post-Production with Wondershare Filmora Video Editor
If you need to blur the video background after shooting, you can use some video editing software to add the bokeh effect or the tilt-off effect in post-production. Here, I will show you how to do that in Filmora.
Filmora is one of the most widely used video editing software among YouTubers. Its user-friendly interface and tutorial guide enables green-hands to start video editing quickly. Besides, you can find many free filters, effects, and elements pre-programmed, so you can use them directly without looking for presets and templates somewhere else.
1. Add Bokeh Filter to Video in Filmora
There are about 20 bokeh effects available in filters and overlays. You can find them easily by typing bokeh in the search bar in Effects.
Note: you should select Included to see all bokeh effects pre-programmed in Filmora. If you need more visual effects, just go to the Filmstock effects store.
Double click the bokeh effect to preview the result, and if you find the bokeh effect fits the video, just drop it to the track above the video. And the bokeh filter or overlay will be applied to the video automatically.
2. Use Tilt-Shift Circle/Linear Effect to Blur Video Background
Filmora features two tilt effects, tilt-shift circle and tilt-shift linear, which allows you to highlight people in the video, blur, and conceal the video background.
Go to the Effects tab and then switch to the Utility menu under Included category.
Here, I will select the Tilt-Shift Circle effect and drop it to the track above the video. Now, you can adjust the size, position, and intensity of the tilt-shift circle effect
You see, the video background is blurred, and the people are highlighted. Now it’s your turn to download the Filmora video editor and try it yourself.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Mar 27, 2024• Proven solutions
A lot of YouTubers like to vlog in front of blurred backgrounds. Blurring the background of your YouTube video is a fast way to make it look more professional – you stand out when you are entirely in focus, and everything behind you is blurry. Plus, it is an easy way to disguise the room you are vlogging from.
Even if your set is clean, there could be things like books behind you, which will distract viewers; they will be trying to read the spines. Blurring out the background of your shot makes your video look polished and keeps people’s focus entirely on you.
- Part 1: Blur YouTube Video Background in Shooting Videos
- Part 2: Add Tilt-Shift Effects to Video in Editing
Part 1: How to Blur Background of Your YouTube Video in Shooting Videos
Blurring your background is also how you create a beautiful bokeh lighting effect. Bokeh is when you blur lights in the background of your shot, creating halo-like circles of light. By attaching a filter with a shape cut out to the camera lens, you can even generate bokeh lights in other shapes, like hearts or stars.
Aperture refers to the hole in your lens which allows light into your camera. A narrow aperture lets in less light, and a wide aperture lets in more. The wider your aperture is, the shallower your depth of field will be. Widening your aperture also helps your camera perform better in low-light situations. Widening your aperture too much under the wrong circumstances can let in too much light and result in your footage being overexposed.
Depth of Field is the area of your image that is in focus. If you have a large depth of field, then objects close to and far away from your camera will all be in focus. Only a select area will be focused and the rest will be blurred if you have a shallow depth of field.
F-Stops are the measurement of an aperture’s width. The higher your f-stop, the narrower your aperture will be. To create a blurred background or a bokeh effect, you need a wide aperture, and thus a small f-stop. F-stops are written like ‘f/1.4’. You need an f-stop of less than f/4 to blur your background, and less than f/2.8 for bokeh.
1. Blurring and Bokeh
Blurred backgrounds and bokeh are very closely related. A bokeh effect is essentially a blurred background that includes lights.
To achieve a blurred background or a bokeh effect, you need to have a shallow depth of field. That means a wide aperture and a low f-stop.
2. How to Blur your Background
Place your subject – in the case of a vlog, your subject is probably yourself – in a shallow depth of field, and they will remain sharply in focus while everything behind them is blurred.
If the subject is yourself, you might need a helper to either operate your camera or stand in for you while you set up your camera. You will need to be able to check that the place you plan to stand or sit is in focus.
To get a shallow depth of field, make sure your aperture is wide. Do this by setting a low f-stop. Ideally, your f-stop will be 2.8 or lower, but if your camera cannot go that low, then f/3 or f/4 can also work.
Creating a bokeh effect is mostly the same, except that it works best when your subject/depth of field is very close to the camera, and you have a light source off in the background. Zoom Lenses do not usually have wide enough apertures to create bokeh backgrounds.
Blur Video Background in Post-Production with Wondershare Filmora Video Editor
If you need to blur the video background after shooting, you can use some video editing software to add the bokeh effect or the tilt-off effect in post-production. Here, I will show you how to do that in Filmora.
Filmora is one of the most widely used video editing software among YouTubers. Its user-friendly interface and tutorial guide enables green-hands to start video editing quickly. Besides, you can find many free filters, effects, and elements pre-programmed, so you can use them directly without looking for presets and templates somewhere else.
1. Add Bokeh Filter to Video in Filmora
There are about 20 bokeh effects available in filters and overlays. You can find them easily by typing bokeh in the search bar in Effects.
Note: you should select Included to see all bokeh effects pre-programmed in Filmora. If you need more visual effects, just go to the Filmstock effects store.
Double click the bokeh effect to preview the result, and if you find the bokeh effect fits the video, just drop it to the track above the video. And the bokeh filter or overlay will be applied to the video automatically.
2. Use Tilt-Shift Circle/Linear Effect to Blur Video Background
Filmora features two tilt effects, tilt-shift circle and tilt-shift linear, which allows you to highlight people in the video, blur, and conceal the video background.
Go to the Effects tab and then switch to the Utility menu under Included category.
Here, I will select the Tilt-Shift Circle effect and drop it to the track above the video. Now, you can adjust the size, position, and intensity of the tilt-shift circle effect
You see, the video background is blurred, and the people are highlighted. Now it’s your turn to download the Filmora video editor and try it yourself.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Mar 27, 2024• Proven solutions
A lot of YouTubers like to vlog in front of blurred backgrounds. Blurring the background of your YouTube video is a fast way to make it look more professional – you stand out when you are entirely in focus, and everything behind you is blurry. Plus, it is an easy way to disguise the room you are vlogging from.
Even if your set is clean, there could be things like books behind you, which will distract viewers; they will be trying to read the spines. Blurring out the background of your shot makes your video look polished and keeps people’s focus entirely on you.
- Part 1: Blur YouTube Video Background in Shooting Videos
- Part 2: Add Tilt-Shift Effects to Video in Editing
Part 1: How to Blur Background of Your YouTube Video in Shooting Videos
Blurring your background is also how you create a beautiful bokeh lighting effect. Bokeh is when you blur lights in the background of your shot, creating halo-like circles of light. By attaching a filter with a shape cut out to the camera lens, you can even generate bokeh lights in other shapes, like hearts or stars.
Aperture refers to the hole in your lens which allows light into your camera. A narrow aperture lets in less light, and a wide aperture lets in more. The wider your aperture is, the shallower your depth of field will be. Widening your aperture also helps your camera perform better in low-light situations. Widening your aperture too much under the wrong circumstances can let in too much light and result in your footage being overexposed.
Depth of Field is the area of your image that is in focus. If you have a large depth of field, then objects close to and far away from your camera will all be in focus. Only a select area will be focused and the rest will be blurred if you have a shallow depth of field.
F-Stops are the measurement of an aperture’s width. The higher your f-stop, the narrower your aperture will be. To create a blurred background or a bokeh effect, you need a wide aperture, and thus a small f-stop. F-stops are written like ‘f/1.4’. You need an f-stop of less than f/4 to blur your background, and less than f/2.8 for bokeh.
1. Blurring and Bokeh
Blurred backgrounds and bokeh are very closely related. A bokeh effect is essentially a blurred background that includes lights.
To achieve a blurred background or a bokeh effect, you need to have a shallow depth of field. That means a wide aperture and a low f-stop.
2. How to Blur your Background
Place your subject – in the case of a vlog, your subject is probably yourself – in a shallow depth of field, and they will remain sharply in focus while everything behind them is blurred.
If the subject is yourself, you might need a helper to either operate your camera or stand in for you while you set up your camera. You will need to be able to check that the place you plan to stand or sit is in focus.
To get a shallow depth of field, make sure your aperture is wide. Do this by setting a low f-stop. Ideally, your f-stop will be 2.8 or lower, but if your camera cannot go that low, then f/3 or f/4 can also work.
Creating a bokeh effect is mostly the same, except that it works best when your subject/depth of field is very close to the camera, and you have a light source off in the background. Zoom Lenses do not usually have wide enough apertures to create bokeh backgrounds.
Blur Video Background in Post-Production with Wondershare Filmora Video Editor
If you need to blur the video background after shooting, you can use some video editing software to add the bokeh effect or the tilt-off effect in post-production. Here, I will show you how to do that in Filmora.
Filmora is one of the most widely used video editing software among YouTubers. Its user-friendly interface and tutorial guide enables green-hands to start video editing quickly. Besides, you can find many free filters, effects, and elements pre-programmed, so you can use them directly without looking for presets and templates somewhere else.
1. Add Bokeh Filter to Video in Filmora
There are about 20 bokeh effects available in filters and overlays. You can find them easily by typing bokeh in the search bar in Effects.
Note: you should select Included to see all bokeh effects pre-programmed in Filmora. If you need more visual effects, just go to the Filmstock effects store.
Double click the bokeh effect to preview the result, and if you find the bokeh effect fits the video, just drop it to the track above the video. And the bokeh filter or overlay will be applied to the video automatically.
2. Use Tilt-Shift Circle/Linear Effect to Blur Video Background
Filmora features two tilt effects, tilt-shift circle and tilt-shift linear, which allows you to highlight people in the video, blur, and conceal the video background.
Go to the Effects tab and then switch to the Utility menu under Included category.
Here, I will select the Tilt-Shift Circle effect and drop it to the track above the video. Now, you can adjust the size, position, and intensity of the tilt-shift circle effect
You see, the video background is blurred, and the people are highlighted. Now it’s your turn to download the Filmora video editor and try it yourself.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
A Compreenas Guide to Choosing Ideal Lenses for Filmmaking
A Vlogger’s Guide To Camera Lenses
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Also read:
- 2024 Approved Elevate Video Consumption Constructing an Ideal 'Watch Later' List on YouTube
- In 2024, Breaking the Mold How to Create a Standout YouTube Channel Name
- Building a YouTube Subscription Direct Link
- Dialing Up Deliverables A Comprehensive Guide to Gainful Vlogging for 2024
- [New] Engage Audiences on All Sides Live 360-Degree Video Broadcasting for YouTube
- Masters of Digital Avengers Realms
- The Ultimate Encyclopedia to YouTube Thumbnail Mastery
- Capturing Crisp Sound A Guide to Superior Audio Recording
- 2024 Approved Avoiding Common Pitfalls in PC-Based YouTube Video Editing
- Navigating the Maze of YouTube Short Mistakes
- [Updated] Decoding Chroma Techniques From Raw Footage to Final Cut
- Maximizing Streaming Is Sub4Sub Effective?
- 2024 Approved Bridging the Audience Gap Successful Multi-Streaming Approaches on Youtube & Twitch
- Accelerate YouTube Visibility - Select Top 8 Rank Watchers
- [Updated] Daily Dosage of Serenity Top Yoga Channels for Life
- Keep Your Videos Trending on YouTube by Sustaining Creative Commitments
- A Compreayer's Guide to Growth Updating YouTube Metadata
- [Updated] Copyright-Safe Techniques for Youtube-to-MP4
- Choosing a Champion DSLR or Mirrorless Camera for 2024
- Becoming a Skin-Deep Sage Setting Up Your Beauty Channel for 2024
- 2024 Approved Best Screen Replayer for High-Impact YouTubing Experience
- Widen Your Influence with Dual-Streaming YouTube + Twitch
- [New] Essential Sites for Fetching Video Intro Files
- 2024 Approved Editing Pro Tips for Aspiring Sports Video Makers
- Step Into the World of YouTube Transcription A Comprehensive No-Fee Guide
- Bite-Sized Video Knowledge Now!
- [Updated] Cutting-Edge Camera Technology For YouTube Stars
- Digital Deities Ranking Creators by Subscriber Growth for 2024
- In 2024, Bring on the Browsers Top Strategies to Transform Your Unwatched Videos
- Beginner's Guide Adding Text Overlays on YouTube for 2024
- Enhancing Exposure Do Buy Views Accelerate Channel Growth?
- Settle in for a Screen Spectacle – The Best Free Movies on YouTube
- Gamer's Path to Earnings on YouTube
- Essential Free Resources for YouTube Intros
- Enhance Video Pace - YouTube via Desktops & Phones for 2024
- [New] A Treasure Trove of 9 Complete Holiday Flicks, Free Streaming
- [New] Designing Striking Valorant Thumbnails for Online Platforms
- Streamlining Your Spotify to YouTube Music Library Transition
- In 2024, Entry-Level Mic Tips for YouTube Voice Talents
- How to Unlock Vivo T2 5G Phone Password Without Factory Reset?
- The Most Useful Tips for Pokemon Go Ultra League On Lava Yuva 3 Pro | Dr.fone
- 2024 Approved Ace Your Green Screen Videos Must-Know Secrets
- How to use Snapchat Location Spoofer to Protect Your Privacy On Xiaomi Redmi A2? | Dr.fone
- How To Transfer WhatsApp From iPhone XR to other iPhone 13 Pro Max devices? | Dr.fone
- A Step-by-Step Guide on Using ADB and Fastboot to Remove FRP Lock from your Honor X8b
- In 2024, Breaking the 'RT' Barrier Sharing Photos & Vids on Twitter
- 4 Most-Known Ways to Find Someone on Tinder For Oppo Reno 11F 5G by Name | Dr.fone
- Updated How to Make Whiteboard Animation Videos for 2024
- [New] 2024 Approved Ultimate Webcam Usage for MacBooks
- Updated Audiovisual Archive Top 10 Digital Destinations for Sound Track Download
- How to Change Netflix Location to Get More Country Version On Poco C50 | Dr.fone
- In 2024, Stealth Video Tactics for Soundless Capture
- New 10 Best Animated Text Generator to Use (100 Useful) for 2024
- New 2024 Approved 10+ Royalty-Free 5 Second Countdown Footage HD & 4K Clips Included
- [Updated] Twitter's Peak Moments Highest-Viewed Videos for 2024
- Prank Your Friends! Easy Ways to Fake and Share Google Maps Location On OnePlus Ace 2 Pro | Dr.fone
- In 2024, Hassle-Free Ways to Remove FRP Lock on Vivo V30 Lite 5G Phones with/without a PC
- New 2024 Approved Create Stunning Videos on Windows IMovie-Inspired Alternatives
- [Updated] In 2024, Top 10 Gamer Vloggers on TikTok Today
- [New] Twit-Favorites of the Year Amazon Prime's Peak Series
- How PGSharp Save You from Ban While Spoofing Pokemon Go On Itel P55? | Dr.fone
- [Updated] Seamless Media Exchange Posting Twitter Videos on Instagram
- How to sign .jpeg by digital signature
- [New] Building a Brand on FB Covers that Speak Volumes for 2024
- [New] In 2024, Unveiling Stunning Discord Pfps A Comprehensive Tutorial
- In 2024, The Best Android Unlock Software For Huawei Device Top 5 Picks to Remove Android Locks
- 2024 Approved 7 Innovative Approaches to Color Correction
- [New] In 2024, Top 10 Cost-Free Screen Capture Apps for Mac Users
- ZTE ADB Format Tool for PC vs. Other Unlocking Tools Which One is the Best?
- The Blueprint for Winning Campaigns Snapchat Edition
- Title: "Directed Focus YouTube's Easy Ways for Smoother Borders"
- Author: Brian
- Created at : 2024-05-25 11:38:43
- Updated at : 2024-05-26 11:38:43
- Link: https://youtube-video-recordings.techidaily.com/directed-focus-youtubes-easy-ways-for-smoother-borders/
- License: This work is licensed under CC BY-NC-SA 4.0.